Ingo Maurer, a German lights designer who was Promethean in his delivery of illumination — fashioning lamps out of shattered crockery, scribbled memos, holograms, tea strainers and incandescent bulbs with feathered wings — died on Monday in Munich. He was 87.

His death, at a clinic, was declared by his firm, Ingo Maurer GmbH, which stated the lead to was complications of a surgical procedure.

Mr. Maurer had a wonky fascination with technology that took very little away from his name as a poet of light, as he was generally described.

His initial lamp, designed in 1966, was a large crystal bulb enclosing a lesser 1. Referred to as basically “Bulb” (his solution names would turn out to be additional fanciful), it won praise from the designer Charles Eames and in 1968 grew to become section of the Museum of Modern Art’s selection in New York.

Mr. Maurer traveled to the United States in 1960, settling in San Francisco with his German girlfriend, Dorothee Becker, and working as a graphic designer. He was there for three many years, soaking up Pop Artwork inspirations that resurfaced in the course of his vocation.

“The Italians even assumed he was Italian,” explained Mariangela Viterbo, the head of a general public relations agency in Milan, who achieved him in the late 1960s when he offered Bulb at a trade show in Turin. “In that time period the huge eyesight of contemporary layout was Danish or Finnish. Ingo arrived with anything more similar to our temperament — far more ironic, extra joyful. It designed a change.”

A crowning minute of disruption happened at the 1994 Euroluce lighting truthful in Milan, in which Mr. Maurer introduced a chandelier produced of suspended porcelain dish shards. The fixture was to begin with termed “Zabriskie Issue,” soon after the Michelangelo Antonioni film, which has a scene of a home exploding in gradual-movement. At the very least a person startled Italian customer to the truthful exclaimed, “Porca miseria!,” a phrase that translates approximately as “Dammit!” Mr. Maurer resolved that he most well-liked that name for the chandelier.

Many Porca miserias! are still made, by hand, each individual 12 months, but Mr. Maurer was hardly ever snug with the substantial price tag, upward of 30,000 lbs (about $38,000), as quoted by at minimum a person website. He donated some of the income to a spouse and children he after met in Aswan, Egypt.

Not every person was charmed by his antic models. Examining a 2007 retrospective of Mr. Maurer’s function at the Cooper Hewitt Smithsonian Structure Museum in Manhattan, Ken Johnson wrote in The New York Times, “While some of his parts are pretty to seem at, his function in common is so precious and so busily keen to be sure to that it will make you pine for the reproving austerity of the fluorescent-light Minimalist Dan Flavin.”

Paola Antonelli, the senior layout curator at the Museum of Fashionable Artwork, disagreed.

“I’ve never ever observed anyone experiment with these abandon,” she said, “and experimentation is the reverse of wanting to make sure you.”

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